VTG SANFORDS FOUNTAIN INK PEN GLASS WELL JAR OFFICE DESK ACCESSORY STUDENT BOSS

Description

VTG SANFORDS FOUNTAIN INK PEN GLASS WELL JAR OFFICE DESK ACCESSORY STUDENT BOSS
VTG SANFORDS FOUNTAIN INK PEN GLASS WELL JAR OFFICE DESK ACCESSORY STUDENT BOSS
VTG SANFORDS FOUNTAIN INK PEN GLASS WELL JAR OFFICE DESK ACCESSORY STUDENT BOSS
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Description
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NOW FOR YOUR VIEWING PLEASURE…
"SANFORDS FOUNTAIN PEN INK"
GLASS W LID
BASE IS ABOUT 53mm
AND IS ABOUT 60mm TALL
EMBOSSED
UNDERSIDE ARE THE NUMBERS 47 AND .12
WITH AN "A" IN A CIRCLE
NO CHIPS OR CRACKS
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FYI
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A fountain pen is a nib pen that, unlike its predecessor the dip pen, contains an internal reservoir of water-based liquid ink. From the reservoir, the ink is drawn through a feed to the nib and then to the paper via a combination of gravity and capillary action. As a result, the typical fountain pen requires little or no pressure to write.
Filling the reservoir with ink may be done manually (via the use of an eyedropper or syringe), or via an internal "filler" mechanism which creates suction to transfer ink directly through the nib into the reservoir. Some pens employ removable reservoirs, in the form of pre-filled ink cartridges.
The earliest historical record of a reservoir pen dates back to the 10th century. In 953, Ma'ad al-Mu'izz, the caliph of Egypt, demanded a pen which would not stain his hands or clothes, and was provided with a pen which held ink in a reservoir and delivered it to the nib, and could be held upside-down without leaking, as recorded by Qadi al-Nu'man al-Tamimi (d. 974) in his Kitab al-Majalis wa 'l-musayardt. No details of the construction or mechanism of operation of this pen are known and no examples have survived.
The first fountain pens making use of all these key ingredients appeared in the 1850s. In the 1870s Duncan MacKinnon, a Canadian living in New York City, and Alonzo T. Cross of Providence, Rhode Island created stylographic pens with a hollow, tubular nib and a wire acting as a valve. Stylographic pens are now used mostly for drafting and technical drawing but were very popular in the decade beginning in 1875. It was in the 1880s that the era of the mass-produced fountain pen finally began. The dominant American producers in this pioneer era were Waterman, of New York City, and Wirt, based in Bloomsburg, Pennsylvania. Waterman soon outstripped Wirt, along with the many companies that sprang up to fill the new and growing fountain pen market, and remained the market leader up until the early 1920s.
At this time fountain pens were almost all filled by unscrewing a portion of the hollow barrel or holder and inserting the ink by means of an eyedropper. This was a slow and messy procedure. Additionally, fountain pens tended to leak inside their caps and at the joint where the barrel opened for filling. Now that the materials problems had been overcome and the flow of ink while writing had been regulated, the next problems to be solved were the creation of a simple, convenient self-filler and the problem of leakage. Self-fillers began to come into their own around the turn of the century; the most successful of these was probably the Conklin crescent-filler, followed by A. A. Waterman's twist-filler. The tipping point, however, was the runaway success of Walter A. Sheaffer's lever-filler, introduced in 1912, paralleled by Parker's roughly contemporary button-filler.
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Calligraphy (from Greek κ?λλος kallos "beauty" + γραφ? graph? "writing") is a type of visual art. It is often called the art of fancy lettering (Mediavilla 1996: 17). A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner" (Mediavilla 1996: 18). The story of writing is one of aesthetic evolution framed within the technical skills, transmission speed(s) and materials limitations of a person, time and place (Diringer 1968: 441). A style of writing is described as a script, hand or alphabet (Fraser and Kwiatkowski 2006; Johnston 1909: Plate 6).
Modern calligraphy ranges from functional hand-lettered inscriptions and designs to fine-art pieces where the abstract expression of the handwritten mark may or may not compromise the legibility of the letters (Mediavilla 1996). Classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may create all of these; characters are historically disciplined yet fluid and spontaneous, improvised at the moment of writing (Pott 2006 and 2005; Zapf 2007 and 2006).
Calligraphy continues to flourish in the forms of wedding and event invitations, font design/typography, original hand-lettered logo design, religious art, announcements/graphic design/commissioned calligraphic art, cut stone inscriptions and memorial documents. It is also used for props and moving images for film and television, testimonials, birth and death certificates, maps, and other works involving writing (see for example Letter Arts Review; Propfe 2005; Geddes and Dion 2004).
The principal tools for a calligrapher are the pen, which may be flat- or round-nibbed, and the brush (Reaves and Schulte 2006; Child 1985; Lamb 1956). For some decorative purposes, multi-nibbed pens—steel brushes—can be used. However, works have also been made with felt-tip and ballpoint pens, although these works do not employ angled lines. Ink for writing is usually water-based and much less viscous than the oil based inks used in printing. High quality paper, which has good consistency of porosity, will enable cleaner lines,[citation needed] although parchment or vellum is often used, as a knife can be used to erase work on them and a light box is not needed to allow lines to pass through it. In addition, light boxes and templates are used to achieve straight lines without pencil markings detracting from the work. Ruled paper, either for a light box or direct use, is most often ruled every quarter or half inch, although inch spaces are occasionally used, such as with litterea unciales (hence the name), and college ruled paper acts as a guideline often as well.
Pens may be obtained from various stationery sources - from the traditional "nib" pens dipped in ink, to calligraphy pens that have cartridges built-in, avoiding the need to have to continually dip them into inkwells.
(THIS PICTURE FOR DISPLAY ONLY)
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